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Disturbing the Universe (Roswell, Ep. 2 and 3: The Morning After / Monsters)

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Do I dare Disturb the universe? In a minute there is time For decisions and revisions which a minute will reverse. * And I have known the eyes already, known them all-- The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways?      And how should I presume? -- T.S. Eliot, "The Love Song of J. Alfred Prufrock" Maybe Liz is earth -- too seen by her hometown, smothered by their awareness; in "Monsters," set on rigid plans and the fact-bound world. Max is, so to speak, space -- longing to be less invisible, less rootless; a high school junior who thinks that college is too far in the future to worry over, to deviate from his preferred strategy of quiet going-along-to-get-along. Or, simply, she is proactive; he is passive, reactive at best. We can assume the former is the stronger path. Certainly f

The Divine Lover (Roswell, Ep. 1: Pilot)

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Me Lord? can'st thou mispend  One word, misplace one look on me?  Call'st me thy Love, thy Friend?  Can this poor soul the object be  Of these love-glances, those life-kindling eyes?  What? I the Centre of thy arms embraces?  Of all thy labour I the prize?  Love never mocks,  Truth never lies.  O how I quake:  Hope fear, fear hope displaces:  I would, but cannot hope: such wondrous love amazes. -- Phineas Fletcher, "The Divine Lover" I saw me as he saw me, and the amazing thing was, in his eyes I was beautiful.  The 1999 version of Roswell , at least in the early going, is careful to avoid wholly endorsing the idea that Max Evans actually revives Liz Parker from a fatal gunshot wound. Though she opens the series by casually observing that "five days ago, I died," it's certainly not indicated in the healing scene itself, where she's just conscious enough to meet his gaze during the process. He dissolves the bullet, you see, before she